Tribute is paid to the screen's first special effects wizard in this special collection of marvelously restored prints. In addition to more than a dozen of his early trompes l'oeil - such as Untamable Wiskers, Tchin-Chao, the Chinese Conjurer, and The Mermaid - this volume boasts the illuminating documentary, Georges Melies, Cinema Magician and a rare hand-tinted print of the fantastic spectacle An Impossible Voyage.

Lost in the streets of Paris, Georges Méliès is looking everywhere for the Salle Pleyel. On the wall he sees an enormous Gala poster bearing his picture. He dives head first into the poster.

A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

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A compilation of three short trick films by Georges Méliès: El melómano (1903) (The Melomaniac aka The Music Lover)(1903), El monstruo (1903) (The Monster) (1903) and El verdugo turco (1904) (The Terrible Turkish Executioner) (1904).

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Three magicians pool their resources to invent magic tricks from challenges proposed by well-known public figures who are fans of magic, skeptics, or even both at the same time.

Reality show that addresses the most important drag competition in Mexico, created by La Gran Diabla Producciones, which aims to exalt the national and Hispanic drag art, exalting our culture with a lot of sparkle.

该系列节目以细腻动人的笔触，回顾了这位西班牙标志性艺术家的职业生涯，恰逢她逝世 20 周年。 该系列纪录片被誉为关于罗西奥·胡拉多的“权威纪录片”，将探讨她的艺术影响和个人生活，探索这位歌手如何打破传统民谣歌手的刻板印象，成为现代性、自由和女性赋权的象征。 该作品将采用艺术家女儿罗西奥·卡拉斯科提供的众多未发表资料，包括照片、家庭录像、现场表演以及未发表的自传片段，追溯了胡拉多从童年到 20 世纪 90 年代的生活。 此外，智利女演员兼歌手丹妮拉·维加将负责为其中一些个人文本配音，而罗西奥·胡拉多本人的声音将通过档案采访和原始音频素材呈现。 该系列节目还将深入探讨这位艺术家生活中的关键方面，例如她与媒体的关系、她的疾病、她的女权主义思想、她的爱情故事，以及她的公众形象和私人生活之间的二元性。

In the evening, as a little girl and her father take a ride on the subway train, she notices a huge poster of a beautiful pony. Amazed, she calls her father and quickly starts to insist when he replies evasively, drawing other passengers’ attention.